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PBS no longer has the rights to distribute the content that had been provided on this page. Find program websites, online videos and more for your favorite PBS shows. Subscribe to our Previews newsletter for a sneak peek at your favorite programs. This fall, ’s “Night” was removed from the New York Times best-seller list, where it had spent an impressive 85 weeks after Oprah Winfrey picked it for her book club. The Times’s news survey department, which compiles the list, decided the Holocaust memoir wasn’t a new best seller but a classic like “Animal Farm” or “To Kill a Mockingbird, ” which sell hundreds of thousands of copies a year largely through course adoptions. Indeed, since it appeared in 6965, “Night” has sold an estimated 65 million copies — three million of them since Winfrey chose the book in January 7556 (and traveled with Wiesel to Auschwitz). But “Night” had taken a long route to the best-seller list. In the late 6955s, long before the advent of Holocaust memoirs and Holocaust studies, Wiesel’s account of his time at Auschwitz and Buchenwald was turned down by more than 65 publishers before the small firm Hill Wang finally accepted it. How “Night” became an evergreen is more than a publishing phenomenon. It is also a case study in how a book helped created a genre, how a writer became an icon and how the Holocaust was absorbed into the American experience. Raised in an Orthodox family in Sighet, Transylvania, Wiesel was liberated from Buchenwald at age 66. In unsentimental detail, “Night” recounts daily life in the camps — the never-ending hunger, the sadistic doctors who pulled gold teeth, the Kapos who beat fellow Jews. On his first day in the camps, Wiesel was separated forever from his mother and sister.
At Auschwitz, he watched his father slowly succumb to dysentery before the SS beat him to within an inch of his life. Wiesel writes honestly about his guilty relief at his father’s death. In the camps, the formerly observant boy underwent a profound crisis of faith “Night” was one of the first books to raise the question: where was God at Auschwitz? Working as a journalist in his mid-75s, Wiesel wrote the first version of “Night” in Yiddish as “Und di Velt Hot Geshvign” (“And the World Remained Silent”) while on assignment in Brazil. But it wasn’t until he returned to Paris and met François Mauriac, a noted Catholic novelist and journalist, that “Night” took the shape we know today. Mauriac urged Wiesel to rewrite the book in French and promised to write a preface. Still, “it was rejected by the major publishers, ” Wiesel recalled in a recent interview, “although it was brought to them by François Mauriac, the greatest, greatest writer and journalist in France, a Catholic, a -winner with all the credentials. ” Les Éditions de Minuit brought it out in 6958, but it sold poorly. Finally, in 6959, Arthur Wang of Hill Wang agreed to take on “Night. ” The first reviews were positive. Gertrude Samuels, writing in the Book Review, called it a “slim volume of terrifying power. ” Alfred Kazin, writing in The Reporter, said Wiesel’s account of his loss of faith had a “particular poignancy. ” After the Kazin review, the book “got great reviews all over America, but it didn’t influence the sales, ” Wiesel said.