Adèle is a high school student who is beginning to explore herself as a woman. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adèle's friends reject due to her sexuality, and by association most begin to reject Adèle. Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss. The swirl of hostility, accusations and counter-accusations, retribution and jeering from the wings that has enveloped Blue is the Warmest Colour, the French erotic epic that was the toast of last year's Cannes Film Festival, makes most of Hollywood's catfights look pale by comparison. ''Directors and actors being what they are, they like a good argument, '' wrote a commentator in a piece comparing the saga with other screen clashes.
Blue Is the Warmest Color Netflix
''On one side are obsessive perfectionists, on the other self-involved exhibitionists, or so the theory goes. '' Is this true of the Blue winning team? Almost certainly, but with the added spice of Frenchness. Blue is the Warmest Colour is quite extraordinary. The film, directed by Abdellatif Kechiche, a French director of Tunisian origin widely regarded as one of French cinema's small handful of masters, is the story of a great passion between two teenage girls. It traces their affair from flirtation through a bitter break-up and its melancholy aftermath with such force of feeling that you seem to be living their lives yourself.
So overwhelmed were the members of the Cannes jury that they decided to give the Palme D'Or not only to the director, but, in an unprecedented move, to the two actresses, Lea Seydoux and Adele Exarchopoulos, as well. The thrilled threesome were pictured on the red carpet kissing and hugging. In private, says Kechiche, Seydoux wept with joy. That was at the end of May. Immediately after the Cannes premiere, a French film technicians' union criticised Kechiche for his ''disorganised'' approach to filming and for making demands on his crew that amounted to ''moral harassment'', a charge he denied. At the same time, Julie Maroh, the author of the graphic novel on which the film was based, publicly criticised the film's ground-breaking sex scenes, describing them as ''ridiculous'' and questioning whether there had been any real, live lesbians on Kechiche's set.
Blue Is the Warmest Color 2013
The first time I met Léa Seydoux was at last year’s London Film Festival, when the busy French star was nervously ‘looking forward’ to watching her new film, Blue Is The Warmest Colour. Making the loose adaptation of Julie Maroh’s graphic novel, about a high-school girl’s lesbian love affair with an older, blue-haired art student (Adèle Exarchopoulos and Seydoux respectively), had been ‘extremely difficult’, she said, describing the three-hour, intimately photographed drama’s explicit sex scenes as ‘humiliating’ and ‘gross’ to shoot. ‘You have to be out of your body. It’s too difficult, ’ she sighed. Almost a year to the day, we’re talking on the phone while Seydoux is tied up filming a biopic of Yves Saint Laurent in Paris. It is fair to say a lot has happened in those 67 months.
Publicly, there were smiles and tears of joy. But, as my interview last year revealed, that wasn’t the whole story. It wasn’t long before comments made by Seydoux and Exarchopoulos to journalists about Kechiche’s gruelling working methods ignited an ugly spat with the film-maker. Seydoux complained that she was made to feel like a ‘prostitute’. Kechiche, meanwhile, told France’s Télérama magazine that the film shouldn’t be released because it had been ‘sullied’ by the controversy and, more recently, appeared to threaten legal action against the actress. In this Anatomy of a Scene, Abdellatif Kechiche narrates a sequence from “Blue Is the Warmest Color.
”“Blue Is the Warmest Color” is a feverish, generous, exhausting love story, the chronicle of a young woman’s passage from curiosity to heartbreak by way of a wrenching and blissful attachment to another, slightly older woman. Although there is plenty of weeping and sighing, the methods of the director,, are less melodramatic than meteorological. He studies the radar and scans the horizon in search of emotional weather patterns and then rushes out into the gale, dragging the audience through fierce winds and soul-battering squalls.