Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. Our contemporary production of Shakespeare s darkest psychological thriller marks both Christopher Eccleston s RSC debut and the return of Niamh Cusack to the company. Director Polly Findlay Designer Fly Davis Lighting Lizzie Powell Music Rupert Cross Sound Christopher Shutt Movement Aline David Fights Kate Waters Illusions Chris Fisher It is hard to imagine a world without Shakespeare. Since their composition four hundred years ago, Shakespeare’s plays and poems have traveled the globe, inviting those who see and read his works to make them their own. Readers of the New Folger Editions are part of this ongoing process of “taking up Shakespeare, ” finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new. We still struggle to keep up with a writer who could think a mile a minute, whose words paint pictures that shift like clouds. These expertly edited texts are presented to the public as a resource for study, artistic adaptation, and enjoyment.
What’s the story on the curse of Macbeth The Straight Dope
By making the classic texts of the New Folger Editions available in electronic form as Folger Digital Texts, we place a trusted resource in the hands of anyone who wants them. The New Folger Editions of Shakespeare’s plays, which are the basis for the texts realized here in digital form, are special because of their origin. The Folger Shakespeare Library in Washington, DC, is the single greatest documentary source of Shakespeare’s works. The Editions also reflect the expertise gained through the regular performance of Shakespeare’s works in the Folger’s Elizabethan Theater. Readers who want to know more about Shakespeare and his plays can follow the paths these distinguished scholars have tread by visiting the Folger either in-person or online, where a range of physical and digital resources exists to supplement the material in these texts. I commend to you these words, and hope that they inspire. Other editorial decisions involve choices about whether an unfamiliar word could be understood in light of other writings of the period or whether it should be changed decisions about words that made it into Shakespeare’s text by accident through four hundred years of printings and misprinting and even decisions based on cultural preference and taste.
When the Moby™ Text was created, for example, it was deemed “improper” and “indecent” for Miranda to chastise Caliban for having attempted to rape her. (See The Tempest, 6. 7: “Abhorred slave, /Which any print of goodness wilt not take, /Being capable of all ill! I pitied thee…”). All Shakespeare editors at the time took the speech away from her and gave it to her father, Prospero. Is there any information you can give me on the supposed curse of Macbeth?
Macbeth the curse of the Scottish play
It puzzles me that of all Shakespeare's plays, one of his best (in my opinion) should be cursed. Thanks for any enlightenment you can provide. STAFF REPORTS ARE WRITTEN BY THE STRAIGHT DOPE SCIENCE ADVISORY BOARD, CECIL S ONLINE AUXILIARY. THOUGH THE SDSAB DOES ITS BEST, THESE COLUMNS ARE EDITED BY ED ZOTTI, NOT CECIL, SO ACCURACYWISE YOU D BETTER KEEP YOUR FINGERS CROSSED. Publishers – interested in subscribing to the Straight Dope? Write to: .
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