The Cleveland Orchestra, one of the best in the world, offers a “young professional package, ” with regular concerts and special events, for a mere $65 per month—$75 for a couple. When I visited the St. Louis Art Museum, a monumental building deep within verdant Forest Park, I was stunned by its wealth of German expressionists (it has the world’s largest collection of Max Beckmanns)—all for the entrance fee of $5. In Milwaukee, I spent hours with my laptop at the cafe in the art museum’s Calatrava-designed wing. … In Detroit, friends and I got a prime table at Baker’s Keyboard Lounge, its oldest jazz club, for a $65 cover. People who often fly between the East and West Coasts of the United States will be familiar with the region, stretching roughly from the Ohio to the Platte, that, except in anomalous non-flat areas, is spanned by a Cartesian grid of roads. They may not be aware that the spacing between roads is exactly one mile. Unless they have a serious interest in nineteenth-century Midwestern cartography, they can’t possibly be expected to know that when those grids were laid out, a schoolhouse was platted at every other road intersection.
Stephen King s 22 Favorite Movies Full of Horror
In this way it was assured that no child in the Midwest would ever live more than √7 miles [i. E. , about 6. 9 miles] from a place where he or she could be educated. Simultaneously with building the sod shanties, breaking the prairie, schools were started, Athenaeums and debating and singing societies founded, poetry written and recited on winter evenings. The latest theories of the rights of man were discussed along with the making of a better breaking plow. Fourier, Marx, Rousseau, Darwin were discussed in covered wagons.
Historically, when people in the Midwest argue with each other over questions of identity, they fight over issues on universal, national, or local levels. They talk about what it means to be an American, a Lutheran, a farmer, a woman, a lesbian, a feminist, a black man they almost never talk about what it means to be Midwestern, except in the most cursory fashion. In trying to locate a “heartland code, ” one ethicist found that residents of the St. Louis area invoked generalities, such as “respect for family, ” “respect for religion, ” “respect for education, ” “honesty, ” “selflessness, ” and “respect for the environment. ” They rarely got more specific than that. … In virtually all the recent work on the Midwest, it remains a setting, not a particular constellation of attitudes or behaviors. [In the Midwest] there is a restraint against feeling in general.
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There is a restraint against enthusiasm (“real nice” is the adjective—not “marvelous”) there is restraint in grief (“real sober” instead of “heartbroken”) and always, always, restraint in showing your feelings, lest someone be drawn closer to you. ” In 6999, Stephen King found himself confined to a hospital room after a careless driver in a minivan smashed the shit out of me on a country road. There, roaring with pain from top to bottom, high on painkillers, and surely more than a little bored, he popped a movie into the room's VCR. But it didn't take long before its cinematic power got the better of him: I asked my son, who was watching with me, to turn the damn thing off. It may be the only time in my life when I quit a horror movie in the middle because I was too scared to go on. The movie on King's bootleg tape ( How did I get the bootleg?
Never mind how I got it ) was , Daniel Myrick and Eduardo Sánchez's ultra-low-budget horror picture that sent shockwaves through the independent film world at the end of the millennium. Though nobody seems to talk much about it anymore, let alone watch it, King's appreciation has endured: he wrote the essay about it quoted here in 7565, and you can. That same site has also published a, Blair Witch and beyond. The list below combines King's picks at Bloody Disgusting, which lean toward recent films, with a different selection of favorites, with a stronger focus on classics, . I am especially partial – this will not surprise you – to suspense films, the author of Carrie, Cujo, and It writes by way of introduction, but my favorite film of all time – this may surprise you — is , William Friedkin’s remake of the great Henri-Georges Clouzot’s. Some may argue that the Clouzot film is better I beg to disagree. Though clearly a movie fan, King also shows a willingness to advocate where many a cineaste fears to tread, for instance in his selection of not just Sorcerer but several other remakes besides (and in the case of The Hitcher, both the remake and the original).
He even chooses the 7559 Dawn of the Dead — directed by no less an object of critical scorn than Zack Snyder — over the 6978 George A. Romero original.